Earthworks

Earthworks Audio was originally founded to design and manufacture audiophile loudspeakers. David Blackmer’s goal when starting the company was to make the best sounding speakers on the planet. When the journey began, David used measurement tools that were accepted to be the world standard. After the first few steps he realized that the measurements he was getting were not as good as he believed they could be. He analyzed these tools carefully and realized that new standards would be necessary if he were to even come close to achieving the results he knew were possible. The first tool he designed to this new standard was an omnidirectional microphone. This led to the manufacture the OM1. David now thought that he could get back to designing his “dream” loudspeaker. His colleagues, however, persuaded him to design other microphones and preamplifiers. These products would soon set a new world standard for realism in the art of recording music. While the years passed and these new microphones and preamplifiers were being manufactured, David constantly worked on his goal of designing the best sounding loudspeaker for true audiophiles. He assembled and groomed a team of people with the same goals and dedication to achieving these goals. Created in beautiful hand selected solid Cherry panels, the Earthworks Sigma 6.2 was the end result of many years of research. While they no longer make the loudspeakers, the principles that David first envisioned when the journey began can still be seen in their microphones. Precision engineered and hand assembled, Earthworks microphones represent the pinnacle of technology and art in microphone design. Each microphone is hand-tuned and tested to ensure the purest and most realistic capture of your sound, be it live on stage, recording in the studio or out in the field. Our microphones are able to capture and reproduce a soundstage so deep and wide that if you close your eyes you can “see” the music in front of you. Microphones that present transients so smooth you can feel the rosin on the bow as it plays across the violin.

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Earthworks Audio was originally founded to design and manufacture audiophile loudspeakers. David Blackmer’s goal when starting the company was to make the best sounding speakers on the planet. When the journey began, David used measurement tools that were accepted to be the world standard. After the first few steps he realized that the measurements he was getting were not as good as he believed they could be. He analyzed these tools carefully and realized that new standards would be necessary if he were to even come close to achieving the results he knew were possible. The first tool he designed to this new standard was an omnidirectional microphone. This led to the manufacture the OM1. David now thought that he could get back to designing his “dream” loudspeaker. His colleagues, however, persuaded him to design other microphones and preamplifiers. These products would soon set a new world standard for realism in the art of recording music. While the years passed and these new microphones and preamplifiers were being manufactured, David constantly worked on his goal of designing the best sounding loudspeaker for true audiophiles. He assembled and groomed a team of people with the same goals and dedication to achieving these goals. Created in beautiful hand selected solid Cherry panels, the Earthworks Sigma 6.2 was the end result of many years of research. While they no longer make the loudspeakers, the principles that David first envisioned when the journey began can still be seen in their microphones. Precision engineered and hand assembled, Earthworks microphones represent the pinnacle of technology and art in microphone design. Each microphone is hand-tuned and tested to ensure the purest and most realistic capture of your sound, be it live on stage, recording in the studio or out in the field. Our microphones are able to capture and reproduce a soundstage so deep and wide that if you close your eyes you can “see” the music in front of you. Microphones that present transients so smooth you can feel the rosin on the bow as it plays across the violin.