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The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers.
The X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
Ready for your input
Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip section puts 17 backlit buttons and 13 rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel’s compressor, 4-band parametric EQ and much more. Each input and output channel strip features its own color backlit 128x64 graphic LCD, which provides vital channel information at-a-glance.
Virtual FX Rack
The onboard virtual FX Rack provides access to eight true-stereo, multi-effects processors (16 mono) including delay, chorus, dynamics—and it can run 4 production quality true-stereo reverbs concurrently with 8 channels of 31-band graphic equalization, all without the need for expensive, space-consuming external hardware.
High-count I/O options
X32’s extensive connectivity includes 32 high-end programmable mic preamps, 6 balanced Line Ins and Outs on 1/4" TRS, 16 balanced XLR Outs, plus dual Phones and balanced Control Room outputs on both XLR and 1/4" TRS connectors. Additionally, a single AES50 CAT5 cable from FOH to the stage can transfer up to 48 channels of bi-directional audio, collecting all input signals and delivering all bus outputs, along with 16 individual monitor feeds for BEHRINGER’s brand new P16 personal monitoring system—all on just one line! The two AES50 ports provide connectivity for up to 6 BEHRINGER S16 stage boxes, or for sharing signals between multiple consoles—all with its ultra-low latency and high reliability the SuperMAC technology is known for. |
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| Commercial Audio |
| Pro Audio |
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| - 40-input, 25-bus digital mixing console for Studio and Live application.
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| - 32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality.
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| - 25 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control.
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| - 16 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic.
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| - Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction.
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| - 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI and Mackie Control.
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| - iPad* and iPhone* apps for professional remote operation available free of charge no host PC required.
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| - High-resolution 7" day-viewable Color TFT for easy viewing of workflow components and parameters.
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| - Main LCR, 6 matrix buses and 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups.
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| - Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS etc.
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| - 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec).
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| - Powerful scene management for convenient handling of complex productions.
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| - 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency.
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| - USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates.
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| - Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow.
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| - Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters.
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| - ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System plus AES/EBU stereo digital output and MIDI.
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| - Networked remote control for show setups with on-screen software editor via Ethernet.
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| - Built-in expansion port for audio interface cards or digital networking bridges. |
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| Model | X32 | | Product Type | Digital Mixing Console | | Processing | Specifications | | Number of input processing channels | 32 input channels, 8 aux channels,
8 fx return channels | | Internal effects engines,
true-stereo / mono | 8/16 | | Internal total recall scenes
(incl. preamp and fader) | 100 | | Signal processing | 40-bit floating point | | A/D-D/A conversion | 24-bit @ 44.1 / 48 kHz,
114 dB dynamic range | | I/O latency (console input to output) | < 1 ms | | Network latency (stagebox in >
console > stagebox out) | < 2 ms | | Connectors | Specifications | | XLR inputs, programmable
mic preamp | 32 | | Talkback mic input, XLR | 1 | | RCA inputs/outputs | 2/2 | | XLR outputs | 16 | | Monitoring outputs XLR /
1/4" TRS balanced | 2/2 | | Aux inputs/outputs, 1/4" TRS balanced | 6/6 | | Phones outputs, 1/4" TRS | 2 | | AES50 ports, Supermac | 2 | | Expansion card | 32 channel audio input/output,
various standards | | P-16 connector,
Ultranet (no power supplied) | 1 | | MIDI inputs / outputs | 1/1 | | USB Type A, top panel, for audio and
data export/import | 1 | | USB Type B, rear panel,
for remote control | 1 | | Ethernet, RJ45, rear panel,
for remote control | 1 | | Mic Input Characteristics | Specifications | | Design | MIDAS | | THD + noise, 20 dB gain, 0 dBu out | < 0.006% A-weighted | | Input impedance XLR, unbal. / bal. | 5 kΩ / 10 kΩ | | Non clip maximum input level, XLR | +23 dBu | | Phantom Power, switchable per input | 48 V | | Equivalent input noise level,
XLR (input shorted) | -128 dBu | | CMRR, XLR, @ 20 dB gain (typical) | > 70 dB | | CMRR, XLR, @ 40 dB gain | > 80 dB | | Input/Output Characteristics | Specifications | | Frequency range,
@ 48 kHz sample rate, 0 dB to -1 dB | 10 Hz - 22 kHz | | Dynamic range,
analog in to analog out (typical) | 106 dB | | A/D dynamic range,
preamp and converter (typical) | 109 dB | | D/A dynamic range,
converter and output | 108 dB | | Cross talk rejection @ 1 kHz,
adjacent channels | 100 dB | | Output level, XLR, nom./max. | +4 dBu / +21 dBu | | Output impedance, XLR, unbal. / bal. | 75 Ω / 75 Ω | | Input impedance TRS Jack, unbal. / bal. | 20 kΩ / 40 kΩ | | Non clip maximum input level, TRS | +16 dBu | | Nominal output level, TRS | +4 dBu / +16 dBu | | Output impedance, TRS, unbal. / bal. | 150 Ω / 300 Ω | | Phones output impedance / level | 40 Ω / +25 dBm (stereo) | | Residual noise level, XLR and TRS | -87 dBu A-weighted | | Display | Specifications | | Main screen | 7", 800 x 480, 262k color TFT | | Channel LCD screen | 128 x 64, LCD with
RGB color backlight | | Power | Specifications | | Switch-mode power supply | Autorange 100-240 V
(50/60 Hz) | | Power consumption | 120 W | | Dimensions | 35.4 x 20.8 x 7.9"
(900 x 528 x 200 mm) | | Weight | 45.4 lbs (20.6 kg) |
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