- Description
Details
Rich with features and delivering outstanding sound quality, the Yamaha MG20 analog mixer is well-suited for portable rigs or permanent installations. The MG20's quality op-amp ensures that your mix sounds transparent and articulate. The MG20's crystal clear D-PRE preamps will squeeze every drop of tone from your mics, with natural-sounding bass and smooth highs. Featuring switchable phantom power, a pad switch, one-knob compressors, EQ, plenty of I/O, and LED metering, the MG20 can take on just about any task you throw at it. Utilizing many state-of-the-art features from Yamaha's high-end consoles, the MG20 is ready to work for you!
For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivaled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivaled in its class.
Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.
- Features
Features
- 20-Channel Mixing Console
- Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)
- 4 GROUP Buses + 1 Stereo Bus
- 4 AUX (incl. FX)
- “D-PRE” mic preamps with an inverted Darlington circuit
- 1-Knob compressors
- PAD switch on mono inputs
- +48V phantom power
- XLR balanced outputs
- Internal universal power supply for world-wide use
- Rack Mount Kit Included
- Metal chassis
- Specification
I/O +48V Input Channels Mono [MIC/LINE]: 12, Mono/Stereo [MIC/LINE]: 4 Output Channels STEREO OUT 2 MONITOR OUT 1 PHONES 1 AUX SEND 4 GROUP OUT 4 Bus Stereo: 1, GROUP: 4, AUX: 4 Input Channel Function PAD 26 dB (Mono) HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only) COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1 COMP Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping (Mono) Level Meter 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB] Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz), refer to the nominal output level @ 1 kHz, GAIN knob: Min Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150 ohm, GAIN knob: Max) Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min) Crosstalk -78 dB Power requirements AC 100 – 240 V, 50 / 60 Hz Power consumption 36 W Others Operating Temperature: 0 to +40 degrees celsius Dimensions (H x W x D) 17.5" x (444 mm) x 5.1" (130 mm) x 19.7" (500 mm) Net weight 15.2 lbs (6.9 kg) - Documents
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