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Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)
Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)
Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)
Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)
Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)

By Allen & Heath

Allen & Heath GLD-112 Chrome Edition Digital Mixer (Discontinued)

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Part #:
GLD2-112
Model #:
GLD-112
Availability: No Longer Available
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The GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

Description

The GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 mic inputs, supported by a full suite of apps, software and personal monitoring solutions.

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by our acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

Now in a new GLD Chrome Edition, with sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels.

GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-112 connects to a range of plug ‘n play I/O racks to build systems with up to 48 microphone inputs. A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84, and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath’s ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD’s extensive soft-patching.

The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.

GLD offers 6 compressor models, all freely available on all input and mix channels. The models capture the audio nuances and non-linear ballastics of industry classics, ranging from slow-opto release, RMS detection, fierce Punchbag,through to super-fast peak compression/limiting. All models also encompass additional essential features, parallel path mode for convenient wet/dry compression balancing, comprehensive sidechain filter and gain reduction histogram.

GLD’s new advanced automatic mic mixer (AMM) features make it perfect for mixing conferences, panel talks and TV shows. The AMM can be configured to work across 44 microphone sources, allowing the user to select which inputs should be auto-mixed without the usual restrictions of a 16 channel insert based system. The AMM can be set to work in two modes – ‘D-Classic’ dynamic gain sharing for a simple quick set-up, and ‘Number of Open Microphones’ (NOM) logic gate technology for a more flexible and sophisticated auto mix.

GLD offers 8 stereo RackExtra FX engines with the additional buses and channels to handle them all without compromise, including 8 dedicated short returns with 4-band PEQ. Each FX engine has access to a Library containing no less than 19 different units and hundreds of editable factory presets. The full spectrum of FX units is included, such as reverbs, phasers, pitch shifters, sub harmonic synthesizers, transient processors and rotary speaker emulators. All units have been recreated with familiar knob layouts, and back panels for patching as send/returns or as channel inserts. Whether it’s for taming vocals and instruments, polishing mixes, or being creative, a full menu of dynamic tools is also on offer, including de-essers, Multiband Compressors and Dynamic EQ.

Features
  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 48 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 28 faders, 4 layers, 112 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • Deep processing embedded plugins including GEQ and compressor models
  • Automatic Mic Mixer with up to 44 microphone sources
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • USB stereo recording and playback
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • Compatible with ME Personal Mixing System
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Scene Filters, crossfades and automated recalls
  • Get started quickly with Template Shows
  • Password protectable user profiles

Specifications
XLR Mic/Line Inputs Balanced, (All XLR on GLD‐80 and AudioRacks)
Mic/Line Preamp Fully recallable
Input Sensitivity ‐60 to +15dBu
Analogue Gain +5 to +60dB, 1dB steps
Pad ‐20dB
Maximum Input Level +32dBu
Input Impedance >4kÙ (Pad out), >10kÙ (Pad in)
Mic/Line Channel noise 20‐20kHz, Direct Out @ unbalanced out
Mic EIN ‐127dB with 150Ω source
Unity gain (Pad in) ‐90dBu
Low gain (5dB, Pad out) ‐93dBu
Mid gain (30dB, Pad out) ‐89dBu
Mic/Line Channel THD+N 20‐20kHz, Direct Out @ unbalanced out
Unity gain (Pad in) 0.005% ‐86dBu @ 1kHz, 0dBu output
Low gain (5dB, Pad out) 0.003% ‐89dBu @ 1kHz, 0dBu output
Mid gain (30dB, Pad out) 0.004% ‐88dBu @ 1kHz, 0dBu output
RCA Line Inputs Unbalanced (GLD‐80)
Input Sensitivity ‐24 to +24dBu, nominal 0dBu
Trim +/‐24dB, recallable
Maximum Input Level +18dBu
Input Impedance >10kΩ
RCA channel Noise ‐92dBu 20‐20kHz
RCA channel THD+N 0.0035% ‐90dBu @ 1kHz, 0dBu output
XLR Outputs Balanced, Relay protected
Output Impedance
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise ‐91dBu (muted, 20‐20kHz)
RCA Line Outputs Balanced, Relay protected
Output Impedance
Nominal Output 0dBu = 0dB meter reading
Maximum Output Level +18dBu
Residual Output Noise ‐94dBu (muted, 20‐20kHz)
Digital Outputs 48kHz sampling rate
SPDIF RCA, 600mV, coax terminated input 75Ω
AES3 2 ch XLR output XLR, 2.5Vpp balanced terminated 110 Ω
Output Measured balanced XLR in to XLR out, 20]20kHz, minimum Gain, Pad out
Dynamic Range 112dB
System Signal to Noise ‐90dB
Frequency Response 0/‐0.25dB @ 20Hz, 0/‐0.5dB @ 20kHz
System peak level THD+N 0.0055% ‐68dBu @ +17dBu output, 1kHz
System Line level THD+ N 0.0022%, ‐84dBu @ +9dBu output, 1kHz
Headroom +18dB
Internal operating Level 0dBu
dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = ‐18dBFS (+4dBu at XLR out)
Meter Peak indication ‐3dBFS (+19dBu at XLR out)
Meter Type Fast (peak) response
Sampling Rate 48kHz +/‐100PPM
ADC 24‐bit Delta‐Sigma
DAC 24‐bit Delta‐Sigma
Latency 1.49ms (GLD‐80 local XLR in to XLR out)0.68ms (GLD‐80 local XLR in to digital out)
USB Playback 2 channel, WAV, FLAC 44.1/48kHz
USB Record 2 channel, 48kHz / 16bit ‐ WAV
I/O Port 64 channel bi‐directional
Card Options A&H ACE, MADI, Dante, ES, Waves, MMO
Operating Temperature 0 deg C to 35 deg C (32 deg F to 95 deg F)
GLD‐112 100‐240V AC, 50/60Hz, 110W max
Touch Screen 8.4" TFT, 800x600 resolution
Faders 100mm motorised
GLD‐112 Fader Strips 3 Banks (12,8,8), 4 Layers = 112x strips
Strip Display LCD per strip, assignable backlight colours
SoftKeys 10 assignable
MIDI MIDI In and Out
Network TCP/IP Ethernet
48 Processing Channels Mono = 1‐44, Stereo = 45/46, 47/48
Trim +/‐24dB digital trim
Polarity Normal/Reverse
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert Assign to any sockets, In/Out, +4dBu/‐10dBV level
Delay Up to 85ms, Bypass switchInput global setting ‐ ms, feet, meters, samples
Sidechain Self key, In/Out, Sel 'listen'
Sidechain Lo]Cut Filter 12dB/octave, Freq 20Hz . 5kHz
Sidechain Hi‐Cut Filter 12dB/octave, Freq 120Hz – 20kHz
Threshold ‐72dBu to +12dBu
Depth 0 to 60 dB
Attack 50us to 300ms
Hold 10ms to 5s
Release 10ms to 1s
Type 4‐Band fully parametric, +/‐15dB
Frequency Range Global setting for Inputs = 20‐20kHz or 'Analogue'
Analogue Ranges 20‐200Hz, 35‐1kHz, 500‐15kHz, 2k‐20kHz
Band 1 Selectable LF Shelving, Bell, Hi‐Pass
Band 2 Bell
Band 3 Bell
Band 4 Selectable HF Shelving, Bell, Lo‐Pass
Bell Width Non‐constant Q, variable, 1.5 to 1/9th octave
Shelving Type Classic Baxandall
Hi‐Pass, Lo‐Pass Filter 12dB/octave
Sidechain Self key, In/Out, Sel 'listen'
Sidechain Lo‐Cut Filter 12dB/octave, Freq 20Hz – 5kHz
Sidechain Hi‐Cut Filter 12dB/octave, Freq 120Hz – 20kHz
Threshold ‐46dBu to 18dBu
Ratio 1:1 to infinity
Attack 300us – 300ms
Release 100ms – 2s
Knee Soft/Hard
Manual Types Peak Manual, RMS Manual
Auto Types VocalAuto, OptoAuto, PunchBag
Channel Direct Out Individual Trim (per channel)
Options Source, follow Fader, follow Mute (global for all)
20 Mix Channels Configure as mono/stereo Groups, Aux, Main, MatrixMains = None, LR, LCR. LR+M(bus), LR+M(sum)
External Input Assignable source
Trim +/‐24dB digital trim
Polarity Normal/Reverse
Insert Assign to any sockets, In/Out, +4dBu/‐10dBV level
Delay Up to 170ms, Bypass switchMix global setting ‐ ms, feet, meters, samples
Type Constant 1/3 octave, 28 bands 31Hz ‐16kHz
Gain +/‐12dB
GEQ Fader Flip Mode 2 overlapping frequency banks on strip fadersSEL key resets frequency band to 0dB
GEQ Fader Flip Mode RTA following PAFL is displayed on strip meters
Type 4‐Band fully parametric, +/‐15dB
Frequency Range Global setting for Mixes = 20‐20kHz or 'Analogue'
Analogue Ranges 20‐200Hz, 35‐1kHz, 500‐15kHz, 2k‐20kHz
Band 1 Selectable LF Shelving, Bell, Hi‐Pass
Band 2 Bell
Band 3 Bell
Band 4 Selectable HF Shelving, Bell, Lo‐Pass
Bell Width Non‐constant Q, variable, 1.5 to 1/9th octave
Shelving Type Classic Baxandall
Hi‐Pass, Lo‐Pass Filter 12dB/octave
Sidechain Self key, In/Out, Sel 'listen'
Sidechain Lo‐Cut Filter 12dB/octave, Freq 20Hz – 5kHz
Sidechain Hi‐Cut Filter 12dB/octave, Freq 120Hz – 20kHz
Threshold ‐46dBu to 18dBu
Ratio 1:1 to infinity
Attack 300us – 300ms
Release 100ms – 2s
Knee Soft/Hard
Manual Types Peak Manual, RMS Manual
Auto Types VocalAuto, OptoAuto, PunchBagfilter in/out with sel ‘listen’
Internal FX 8x RackFX engine
Types Reverbs, Delays, Modulators, Sub‐harmonics,Pitch Shift, Rotary Speaker, De‐Esser
Mode Send>Return, Inserted, Daisy Chain FX
8 Stereo dedicated returns Adds to inputs for up to 56 sources to the mix
Controls Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
FX Return PEQ Same as Input Channel PEQ
Talkback Assignable source
Mode Latched/Momentary, PAFL Dim option
High Pass Filter 12dB/octave, 20Hz‐2kHz
Routing To Groups, Aux, Main, Matrix
Level Trim +/‐24dB
Signal Generator Sine, White Noise, Pink Noise, Bandpass Noise
Sine, Bandpass sweep 20‐20kHz
Controls Level, Mute
Routing To Groups, Aux, Main, Matrix
RTA 31‐Bands 1/3 octave 20‐20kHz
Source Follows selected PAFL source
Peak Band Indication Option to display dominant frequency
Dimensions (H x W x D) 6.2" (159 mm) x 28.7" (730 mm) x 22.7" (577 mm)
Weight 46.3 lbs (21 kg)
Shipping Weight 59.5 lbs (27 kg)

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Allen & Heath GLD-80 Chrome Edition Compact Digital Mixer (Discontinued) Allen & Heath GLD-80 Chrome Edition Compact Digital Mixer (Discontinued)

Allen & Heath GLD-80 Chrome Edition Compact Digital Mixer (Discontinued)

The GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build...
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