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Aphex Aural Exciter and Optical Big Bottom Processor (Discontinued)

Part # Exciter
Model # Exciter
Since its introduction in 1975, close to a million Aphex Aural Exciters have found their way into recording studios and broadcast facilities, nightclubs and concert halls, arenas and airports, musicians' and DJs' rigs and houses of worship.
Description

Details

The Aural Exciter's patented technology has been often imitated but never duplicated. Each of the Aural Exciter's two independent channels feature Tune, Harmonics and Mix controls, enabling you to focus on select frequencies just like an EQ. But unlike an EQ, the Aural Exciter's harmonic processing doesn’t boost the signal’s output level, maintaining a clear and balanced sound.

Traditional EQ increases the output level of the targeted frequencies. Adding EQ to boost selected frequencies typically results in a perceived loss of other frequencies, which are then also boosted to compensate. The Aural Exciter's patented technology harmonically brings out the desired frequencies without adding gain. The result is audio that’s more balanced, more articulate and, simply put, better sounding.

Over three decades of research, development and refinement have kept the Aural Exciter at the cutting edge. The new Aural Exciter and Optical Big Bottom features the same no-compromise audio quality Aphex is known for, with the highest quality componentry and rugged, durable construction to withstand the rigors of travel and constant use.

Aural Exciter

For more than 35 years, the Aural Exciter's patented technology has been the audio professional's secret weapon, a powerful way to improve and enhance sonic quality more naturally than with equalization.

Optical Big Bottom

The Optical Big Bottom adds a deep, powerful low-frequency punch, without the unwanted level boost that comes from adding traditional EQ. Deeper, more resonant bass response with tighter articulation helps to extend low frequency power and spectrum without the build-up or driver-damaging tendencies of bass EQ.

Features

Features

  • Increased presence and clarity
  • Greater perceived loudness
  • Improved detail and intelligibility
  • Extended low frequencies
  • Tighter bass articulation
Specification
Audio
Frequency Response10Hz – 38 kHz
Dynamic Range120 dB
Hum and Noise (unweighted 22Hz-22kHz)-93 dBu
Crosstalk (10 Hz – 22kHz)-79 dB
THD (10 Hz – 22kHz at max. output).0003%
IMD (10 Hz – 22kHz at max. output).0007%
INPUT (IF LEVEL SET TO +4 dBu)
ConnectorXLR-3F and 1/4" TRS Phone Jacks
TypeTransformerless, active balanced
Balanced40k ohms
Unbalanced20k ohms
Maximum Level+27 dBu
CMRR>40 dB
INPUT (IF LEVEL SET TO -10dBv (-7.8dBu))
ConnectorXLR-3F and 1/4" TRS Phone Jacks
TypeTransformerless, active balanced
Balanced40k ohms
Unbalanced20k ohms
Maximum Level+12.5 dBV (+14.8 dBu)
CMRR>40 dB
Output
ConnectorXLR-3M and 1/4" TRS Phone Jacks
TypeActive balanced(may be used unbalanced)
Balanced112 ohms
Unbalanced56 ohms
Maximum Level+27dBu Unloaded; +25 into 600 ohms
Power requirements90-250 VAC 50-60 Hz 12W
Dimensions19"W x 1.75"H x 8.25" D 1 Rack U(482.6mm x 44.5mm x 209.6mm)
Net Weight6 lbs (2.73 kg)
Shipping Weight9 lbs (4.1 kg)
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