Ashly Audio DigiMix18 Rack-Mountable 18-Channel Digital Mixing Console with iPad App for Wireless Remote Control (Discontinued)
Usually arrives in 5-9 business days.
Ashly Audio DigiMix24 24-Channel Digital Mixing Console
for Mixing Live Bands, Worship Services, Studio Recording and More
The Ashly Audio digiMIX24 Digital Mixing Console gives you complete control over your performance space. Light and portable, it's easy to transport or store away―whether you're mixing live bands, a high school musical, a worship service, or recording in a project studio, there are many applications where digiMIX24 feels right at home.
With its traditional analog feel, the Live Control Surface allows optimum control with real knobs and a live fader when selecting important functions, while offering conveniences of a responsive touchscreen, USB interfacing, and companion Apple iPad® App. Together, it's the ideal mixing experience.
With two performance modes: 24x8 AUX channels, or 24x4 AUX channels and 24x4 SUB-group channels with 6x DCA fader groups, you have the flexibility to accommodate instruments, voices and signals from various sources. Also equipped with Class-A mic pre's designed exclusively by Ashly, so you know great sound is always a standard feature!
Use digiMIX24 as a command center to integrate live performance throughout an entire venue or facility. Add an optional Dante™ module to transmit and receive Dante network audio.
| General | |
|---|---|
| ADC Dynamic Range | 110dB, Unweighted |
| Internal Processor | 32-Bit Floating Point |
| Sample Rate | 48kHz |
| DAC Dynamic Range | 106dB, Unweighted |
| ADC/DAC Bit Depth | 32-Bit |
| Audio Interface Module | Dante™, USB Multi-channel (Optional) |
| Software | Windows®, Mac®, iPad®, EZ-Mode |
| Microphone Input | |
| Frequency Response to Main Output | 20Hz – 20kHz 0/-1.5dB |
| Distortion (THD&N) to Main Output | |
| Equivalent Input Noise | -126dBu, Unweighted, 20Hz – 20kHz, 150 Ohm Source |
| Gain (Trim) | 0 dB – +50dB |
| Maximum Input Level | +20dBu |
| Phantom Power | +48VDC, +0/-4V, Assignable to Channels 1-16 |
| Line InputBalanced, 75k Ohm Input Impedance | |
| Frequency Response to Main Output | 20Hz – 20kHz at 0dBu, 0/-1.5dB |
| Distortion (THD&N) to Main Output | |
| Gain (Trim) | -20dB – +30dB |
| Maximum Input Level | +20dBu |
| TRS InsertUnbalanced, Tip = Send, Ring = Return | |
| Maximum Output Level | +20dBu, 120 Ohm Source Impedance |
| Maximum Input Level | +20dBu, 5.0k Ohm Input Impedance |
| Stereo Line Input(17–18, 19–20) Balanced (2 Stereo Pair)27k Ohm Input Impedance | |
| Frequency Response to Main Output | 20Hz – 20kHz, ±0.5dB |
| Distortion (THD&N) to Main Output | |
| Gain | -∞ to +10dB |
| Input Level (Max) | +20dBu |
| Tape L/RInput Unbalanced RCA,10k Ohm Input Impedance | |
| Frequency Response to Main Output | 20Hz – 20kHz, ±0.5dB |
| Distortion (THD&N) to Main Output | |
| Gain | -∞ to +10dB |
| Input Level (Max) | +10dBu |
| USB 2-Track I/O | |
| Connector Type | USB Type B |
| Frequency Response to Main Output | 20Hz – 20kHz, ±0.5dB |
| Distortion (THD&N) to Main Output | |
| Gain | -∞ to +10dB |
| Input/Output Level (Max) | +15dBu = Full Scale Digital |
| Maximum Output Levels | |
| Main Outputs (Max) | Balanced XLR and TRS Phone Jack, +20dBu, 240 Ohm Source Impedance |
| AUX 1–4 Outputs | Pseudo-Balanced TRS Phone Jack, +20dBu, 240 Ohm Source Impedance |
| SUB 1–4 Outputs | Pseudo-Balanced TRS Phone Jack, +20dBu, 240 Ohm Source Impedance |
| Tape Outputs | Unbalanced RCA, +10dBu, 1k Ohm |
| Control Room Outputs | Balanced TRS Phone Jack, +20dBu, 240 Ohm Source Impedance |
| Residual Output Noise | -90dBu (one mic input assigned at 0dB) -82dBu (all 16 mic inputs assigned at 0dB) -80dBu (all 24 inputs assigned at 0dB) |
| Crosstalk | |
| Adjacent Channels (1kHz) | -82dB |
| Noise | -70dB (Bus Noise, Adjacent Channels 20Hz – 20kHz) |
| Noise Gate / ExpanderInputs, FX | |
| Threshold Range | -84dB – 0dB |
| Attack Time | 0.5mS – 200mS |
| Release Time | 10mS – 1,000mS |
| Ratio | 1:1 to ∞ |
| Compressor/LimiterInputs, Subgroups, Main, AUX, FX | |
| Threshold Range | -50dB – 0dB |
| Attack Time | 10mS – 150mS |
| Release Time | 10mS – 1,000mS |
| Ratio | 1:1 to ∞ |
| Gain | 0dB – +24dB |
| Parametric EQ (PEQ)Inputs, Subgroups, Main, AUX, FX | |
| Filter Type (EQ1, EQ2, EQ3, EQ4) | Parametric, Low Shelf, High Shelf |
| Parametric Filters | 20.6Hz – 20kHz, Q 0.4 – 24, Boost/Cut ±24dB |
| Shelving Filters | 20.6Hz – 20kHz, Boost/Cut ±24dB |
| HPF and LPF | 20.6Hz – 20kHz, 20 Filter Type |
| HPF and LPF Filter Types | Bypass, Butterworth (BW) 6dB/oct, Bessel (BS) 6dB/oct, BW 12dB/oct, BS 12dB/oct, Linkowitz/Riley (LR) 12dB/oct, BW 18dB/oct, BS 18dB/oct, BW 24dB/oct, BS 24dB/oct, LR 24dB/oct, BW 30dB/oct, BS 30dB/oct, BW 36dB/oct, BS 36dB/oct, LR 36dB/oct, BW 42dB/oct, BS 42dB/oct, BW 48dB/oct, BS 48dB/oct, LR 48dB/oct |
| Graphic EQ (GEQ)Main, AUX, Subgroup Outputs | |
| Filter Type | 31-Band, Constant Q, Boost/Cut ±24dB |
| FX Input Sends from all 24 Inputs,FX output Assigns to AUX,Subgroups, Main Output | |
| Effect Types | Reverbs (3), Delay, Tremolo, Flange, Chorus, Combinations |
| Stereo Link | Inputs, Subgroups, AUX |
| DCA Groups | 6 Groups, Level, Mute, Solo |
| Preset Types | DSP Channel (48), GEQ (48), DFX (104), Scene (24) |
| Temperature Range | |
| Operating, Free-Air | 41°F – 113°F (5°C – 45°C) |
| Storage | -4°F – 140°F (-20°C – 60°C) |
| Power Requirements | |
| AC Mains | 100-240VAC 50/60Hz, 120W MAX |
| Unit Dimensions (H x W x D) | 14" (356 mm) x 5.65" (144 mm) x 20.15" (512 mm) |
| Shipping Dimensions (H x W x D) | 18" (45.6 mm) x 8.7" (221 mm) x 23" (585 mm) |
| Unit Weight | 17.65 lbs (8.01 kg) |
| Shipping Weight | 22.6 lbs (10.3 kg) |