Whirlwind Audio Products

Housed in a high impact nylon casing, the Whirlwind ISOPOD safely sums to mono and transformer isolates unbalanced 1/8" (3.5mm) stereo connections to balanced, XLR.

The Whirlwind podDI is a single output summing direct box. Use it to connect CD and MP3 players, computer sound card outputs, DJ mixers, etc. to professional equipment with balanced inputs such as a mixing console. Accepts stereo inputs and sums them into a single mono output.

The Whirlwind pcDI is perfect for interfacing the outputs of CD players, computer sound cards, iPODs® / MP3 players, tape decks, etc. with professional, balanced, low impedance equipment.

The Whirlwind HAUC stereo, active, compact headphone amplifier mounts under a table or counter and provides headphone volume control for broadcast applications, recording studios, language labs, etc.

The Whirlwind podMIX is a passive mixer that combines a microphone with a stereo, line-level audio source and reduces them to mic level for connection to a single-channel input of a sound system.

The Whirlwind PW-1 is a high powered stereo headphone driver for use with on stage in-ear monitoring systems. The PW-1 is a hardwired beltpack unit that has left and right balanced, line level XLR inputs. Features include a protective peak limiter with adjustable threshold, a stereo/mono switch and an additional 3.5mm stereo input.

The Whirlwind PA-1 is a high output, low distortion, portable monitoring device suitable for critical listening in any professional audio environment. The PA-1 accepts either balanced or unbalanced stereo, line-level signals through parallel XLR and 1/4" TRS inputs.

The Whirlwind podMIXai is an active mixing device that combines a microphone or wireless receiver mic output with an unbalanced stereo audio source for connection to a single mic level input of a sound system. Use it with CD and MP3 players, computer sound card outputs, DJ mixers, etc. along with a microphone in sports arenas, conference rooms, banquet halls, gymnasiums and party houses for paging or announcements over background music. The output is mono balanced mic level as shipped, but can be modified for a line-level output.

The Whirlwind THS 1M Talkback Headphone box is configured with a single momentary switch to control the microphone output and has a Push to Mute switch.

The Whirlwind THS 1T Talkback Headphone box is configured with a single momentary switch to control the microphone output and has a Push to Talk switch.

The Whirlwind THS 2 sports announcer box has two mic control buttons, a latching Mic On/Off switch and a momentary Cough switch. THS boxes are ergonomically designed to put the control buttons within easy reach of the announcer even while shuffling through stat sheets. The headphone amplifiers are designed to deliver powerful, undistorted audio that can be heard over an arena full of screaming fans.

The Whirlwind THS 4 Talkback/Headphone box is an all-purpose, fully loaded sports announcer console. Both main and talkback microphone outputs are provided, with Mic On/Off, Cough and Talkback switches for control.

The Whirlwind THS 3 Talkback/Headphone box is an all-purpose, fully loaded sports announcer console. Both main and talkback microphone outputs are provided, with Mic On/Off, Cough and Talkback switches for control.

The Whirlwind THS 5 Talkback/Headphone box is an all-purpose sports announcer console with unique mixing features for ultimate monitoring flexibility. There are two balanced XLR inputs for the headphones. Each input has a volume control and a pan pot for setting left/right headphone balance.

The Whirlwind THS R Talkback/Headphone box is a specialized sports announcer console designed to operate with RTS® IFB systems. Main and talkback microphone outputs are provided, with Cough and Talkback switches for control.

The Whirlwind Mix-7 is a versatile stereo mixer, combining four mono mic/line inputs and three stereo line inputs, in a compact, easy to use one rack space package. The Mix-7 provides up to 76 dB of gain, professional quality signal to noise ratio and full frequency response.