Whirlwind Audio Products

The Whirlwind IMPHR Phase Reverse offers a temporary solution to fix a miswired mic or cable. This female-to-male XLR 3-pin inline device reverses the connection of Pins 2 and 3 between the connectors, which flips the polarity of a balanced audio signal.

The Whirlwind MK406 microphone cable is extremely flexible, resistant to handling microphonics and reliable under the roughest conditions.

The Whirlwind WP2/4FW Stainless Steel Wall Mounting Plate is a dual gang, 4 Whirlwind WC3F female XLRs wall plate.

The Whirlwind EDB1 Connect Series Direct Box is an imported economy direct box offering rugged construction while maintaining exceptional sound quality.

The Whirlwind ISOXL is a professional quality compact transformer in an XLR male/female tube for quick fix line isolation. The shield is lifted from input to output.

Housed in a high impact nylon casing, the Whirlwind ISOPOD safely sums to mono and transformer isolates unbalanced 1/8" (3.5mm) stereo connections to balanced, XLR.

The Whirlwind IMP 2 is a rugged, world-famous DI found in pro systems everywhere. It converts a line or instrument level unbalanced signal to a low impedance mic level balanced signal.

The Whirlwind SPLIT 6 Line Level Parallel Splitter features 1 female XLR input wired to 6 male XLR outputs. Use this handy box when you need to split a line level signal up to 6 times.

The Whirlwind DIRECTOR is a premium direct box that converts an unbalanced line, instrument or speaker level signal to low impedance balanced mic level.

The Whirlwind podDI is a single output summing direct box. Use it to connect CD and MP3 players, computer sound card outputs, DJ mixers, etc. to professional equipment with balanced inputs such as a mixing console. Accepts stereo inputs and sums them into a single mono output.

The Whirlwind Micmute PT mic switcher offers passive switching solutions for controlling the on and off conditions of a microphone or balanced line signal via footswitch.

The Whirlwind LBS Line Balancer and Splitter is a handy tool that balances and isolates a single line-level signal or lets you send a line-level signal to two destinations with transformer balancing and isolation for one or both of the outputs.

The Whirlwind IMCOML line level combiner is useful for when you want to create a mono mix from a stereo source but need to keep the original stereo signals isolated. It's great for feeding a DAT player or CD into a mono system or single channel on a board.

The Whirlwind SP1X3 provides one direct and two isolated outputs. Each transformer isolated output on these devices features a ground lift switch.

The Whirlwind HOTBOX is an active direct box that operates with batteries or phantom power.

The Whirlwind DIRECT2 combines features found on two of the DIRECTOR® direct boxes in one unit. Perfect for converting unbalanced signals from stereo keyboards, acoustic guitar preamps, CD and tape players, computer sound cards, etc.

The ISO-2 is a two channel isolation box and line balancer. As an isolation unit, use it to isolate lines to press and video feeds or on-stage power amps. It's a handy hum and buzz fighter for broadcast or live sound applications.

The Whirlwind podMIX is a passive mixer that combines a microphone with a stereo, line-level audio source and reduces them to mic level for connection to a single-channel input of a sound system.

The Whirlwind PC USB converts the digital audio from USB outputs to high-quality analog, stereo, balanced audio for easy connection to PA systems, mixing boards, etc.

The Whirlwind PW-1 is a high powered stereo headphone driver for use with on stage in-ear monitoring systems. The PW-1 is a hardwired beltpack unit that has left and right balanced, line level XLR inputs. Features include a protective peak limiter with adjustable threshold, a stereo/mono switch and an additional 3.5mm stereo input.

The Whirlwind PA-1 is a high output, low distortion, portable monitoring device suitable for critical listening in any professional audio environment. The PA-1 accepts either balanced or unbalanced stereo, line-level signals through parallel XLR and 1/4" TRS inputs.