Commercial Power Amplifiers

The Yamaha PA2120 is easy to setup and features a user-friendly interface for effortless operation. Remote volume control and microphone on/off switching via optional DCP control panels (DCP4V4S, DCP1V4S, DCP4S, max 2 units).

The Stewart Audio CVA16-1-CV PoE+ compact Dante amplifier is designed to be a single cable solution for smaller zones without the need for a local power outlet. This amplifier leverages the ubiquitous nature of existing CAT 5e/6 cable in zones and also the inexpensive process of pulling new cable to zones. It creates an opportunity to reduce labor costs with a single, reliable, twisted pair cable that carries power and data to where you need it.

The Stewart Audio CVA40-1-CV-D PoE++ compact Dante amplifier is designed to be single cable solutions for small/medium zones without the need for a local power outlet. This amplifier series leverages the ubiquitous nature of existing CAT 5e/6 cable in zones and also the inexpensive process of pulling new cable to zones. It creates an opportunity to reduce labor costs with a single, reliable, twisted pair cable that carries power and data to where you need it.

The Lab Gruppen LUCIA 120/2 incorporates a digital front end with a 2 x 2 Mix Matrix and comprehensive DSP features.

The Ashly FA-125.2 is designed for easy and flexible placement, to go where other amps cannot: Under conference tables, behind displays, inside kiosks...anywhere high-quality reliable power is needed, but space is limited. The FA Series is that neat audio magic trick that gives your project the performance you need...without the bulk, heat, and power-consumption you don't.

The RDL SF-NP50A is an audio power amplifier that converts one Dante network audio channel and one analog input to a 70V or 100V constant voltage amplified output. The output provides 50 watts for a network digital audio level of 0 dBFS. Special software is not required to configure the module.

The Lab.gruppen LUCIA 240/2 has been designed and engineered for quick installation and easy setup.

The Ashly FA-125.4 is designed for easy and flexible placement, to go where other amps cannot: Under conference tables, behind displays, inside kiosks...anywhere high-quality reliable power is needed, but space is limited. The FA Series is that neat audio magic trick that gives your project the performance you need...without the bulk, heat, and power-consumption you don't.

The Dynacord C1300FDI DSP power amplifier offers high-quality components and truly professional processing power and performance characteristics. Their engineering and applied technologies enable exceptional sound quality with plenty of headroom. The onboard DSP includes multi-band PEQs, crossovers, limiters, and delay per channel. It also has true channel grouping control with extra DSP capabilities like PEQ, GEQ (graphic equalizer), and delay for each group.

The Stewart Audio FLX-E-80-4-CV is a 4 channel, 70V/100V, 1/2 rack amplifier delivering 80W per channel with built-in DSP, Ethernet control & reporting, secondary RS-232 control, and remote volume control.

The Ashly FA-250.4 is designed for easy and flexible placement, to go where other amps cannot: Under conference tables, behind displays, inside kiosks...anywhere high-quality reliable power is needed, but space is limited. The FA Series is that neat audio magic trick that gives your project the performance you need...without the bulk, heat, and power-consumption you don't.

The Dynacord C1800FDI DSP power amplifier offers high-quality components and truly professional processing power and performance characteristics. Their engineering and applied technologies enable exceptional sound quality with plenty of headroom. The onboard DSP includes multi-band PEQs, crossovers, limiters, and delay per channel. It also has true channel grouping control with extra DSP capabilities like PEQ, GEQ (graphic equalizer), and delay for each group.

The Atlas Sound HPA602 Dual Channel Commercial Amplifier has been designed to be versatile for uses in both commercial 70V / 100V distributed systems and professional applications that require amplifiers to handle multiple impedance loads

The Dynacord C2800FDI DSP power amplifier offers high-quality components and truly professional processing power and performance characteristics. Their engineering and applied technologies enable exceptional sound quality with plenty of headroom. The onboard DSP includes multi-band PEQs, crossovers, limiters, and delay per channel. It also has true channel grouping control with extra DSP capabilities like PEQ, GEQ (graphic equalizer), and delay for each group.

The Atlas Sound HPA1302 is a dual channel 1300W commercial amplifier designed for use in both commercial 70V/100V distributed systems and professional applications that require amplifiers to handle multiple impedance loads.

The Dynacord C3600FDI DSP power amplifier offers high-quality components and truly professional processing power and performance characteristics. Their engineering and applied technologies enable exceptional sound quality with plenty of headroom. The onboard DSP includes multi-band PEQs, crossovers, limiters, and delay per channel. It also has true channel grouping control with extra DSP capabilities like PEQ, GEQ (graphic equalizer), and delay for each group.

The AtlasIED DPA2402 features a combination of flexibility, performance, and control to provide high-value features for applications that require more than just great sound. The network-based DPA2402 is a DSP controlled 4-channel amplifier that can be configured in three different amplification arrangements to meet the design requirements of any installation.

This Ashly Audio ne4250pe four-channel networked-enabled power amplifier with Protea DSP is uniquely designed around an energy efficient Class-D platform with a switching power supply and delivers a minimum power of 150 watts RMS per channel into 8 Ohm loads and 250 watts RMS per channel into 4 Ohm loads with all channels operating.

The Ashly nXp8002 2-channel networkable power amplifier with Protea DSP is designed to meet the most demanding live sound environments and fixed audio installations anywhere - performance venues, stadiums, arenas, convention centers as well as schools, store fronts, and worship spaces.