JBL 705P 5" Bi-Amplified Master Reference Monitor
Usually arrives in 5-9 business days.
The JBL Intonato 24 Monitor Management Tuning System provides easy setup, automated calibration and comprehensive control of professional monitoring systems. Housed in a 2U rack-mount enclosure, Intonato 24 precisely calibrates and controls up to 24 speakers configured as stereo, surround or immersive audio systems. You can create and instantly recall customized routing of up to 24 analog, digital and networked audio sources. Included software and an optional Desktop Controller put the system’s powerful monitoring features at your fingertips. Intonato 24 delivers the benefits of a precisely calibrated system, and takes control room monitoring to the next level. Intonato, from the Latin verb Intonare meaning “tuned,” “matched,” “in tune,” describes a primary attribute of all speakers in the ideal control room monitoring environment.
Why Intonato?
While the approach to control room monitoring has remained consistent over the years, the audio signal path and production workflow have evolved tremendously. Now more than ever, the industry is breaking out of its pre-dated hardware—surround rooms are gearing up for immersive audio and stereo rooms are stepping up to surround. Smaller rooms are taking on final mixes. And today’s listening environments have changed as well, with work carried out in a broad range of spaces not purpose-built for production. Since hardware and workspace limitations are the norm, the industry needs an innovative approach that can improve the state of monitoring in music, post and broadcast production rooms.
JBL set out to develop a complete next-generation system that takes control room monitoring to the next level, empowering content creators to produce consistently superior output regardless of the spaces where they find themselves, or the formats they are asked to deliver. Answering the call for greater dynamic range, neutral-in-room response and detailed imaging, JBL has introduced the new 7 Series Master Reference Monitors, in both powered and installed models. And the JBL Intonato 24 was developed as the heart of this next-generation monitoring system, designed for seamless integration with JBL 7 series or the myriad of other professional monitors available today.
A Complete System
Intonato 24 pairs with JBL 7 Series studio monitors to create the first complete monitoring system designed for immersive audio production in control rooms of any size. While Intonato was designed as the hub of the new JBL 7 Series installed reference monitor system, the unit can be used with any passive or powered speakers. In addition, the HARMAN BLU link network protocol allows Intonato 24 to be digitally networked with Crown power amplifiers and a wide assortment of system components.
Automated Speaker Calibration for Monitoring Accuracy
Room acoustics can play a dramatic part in what you hear at the mix position. Regardless of the make and model of the speakers, geometry and construction of the room can create acoustic anomalies that lead even the most talented mixers astray. Let’s face it, in troublesome low-frequency areas, the room is in control.
Intonato 24 includes an innovative Automated Speaker Calibration process that “tunes” each speaker to compensate for speaker placement and room acoustics, delivering neutral response to the mix position–even in less-than-ideal work spaces. With an included calibration microphone, Intonato 24 measures and automatically adjusts each speaker in the system, tackling room-related low-frequency issues and precisely matching the level and “time-of-flight” from each speaker to the mix position. The result is a finely-tuned system that takes the guesswork out of mixing. This sophisticated tuning capability alone makes Intonato 24 a compelling upgrade to any mix facility.
Immersive Ready: The Most I/O in Its Class
Intonato 24 comes standard with the most I/O in its class and is compatible with nearly every monitoring format, including stereo, 5.1, 7.1 and new immersive formats. With the power to manage monitoring systems of up to 24 speakers, Intonato 24 makes immersive monitoring possible in existing control rooms. Intonato 24 features internal routing and a mixer to provide unprecedented monitoring flexibility. Any combination of up to 24 analog and digital sources can be patched, routed and selectively monitored via any of the connected speaker or headphone systems. You can also create and store customized down-mix configurations.
Sophisticated Subwoofer Integration
With Intonato 24, multiple subwoofers can be connected, tuned, balanced and integrated into your monitoring systems. Up to 4 subwoofers can be assigned as “Bass Management” subs with selectable crossover settings, and the same or different subwoofers can be used to reproduce the LFE (low frequency effects) channel of a soundtrack.
Configuration by Project, Client Workflow
Complete configurations, including speaker setup parameters, EQ, subwoofer settings, input source patching, and down-mix preferences can be stored as “profiles” and “scenes” and instantly recalled (even mid-session) to meet the requirements of specific projects and clients.
Intuitive GUI Control
An intuitive graphical user interface (GUI) allows you to control Intonato 24 from Mac, Windows, iOS and Android tablets. The optional Intonato Desktop Controller puts monitor system control at your fingertips, providing elegant control of system volume, recall of user-configured scenes, activation of speaker mutes and solos, and other frequently used features.
| Total Simultaneous Inputs | 24 (selectable among the available 24 analog, 24 AES3, and 24 BLU link input channels) |
|---|---|
| Analog Inputs | |
| Connectors | 3 female 25-pin D-Sub connectors |
| Type | Electronically balanced, RF filtered |
| Impedance | > 48 kΩ balanced, > 24 kΩ unbalanced |
| Input Sensitivity | Selectable in software per D-Sub connector: -10 dBV with 18 dB of headroom, +4 dBu with 20 dB of headroom, +8 dBu with 24 dB of headroom |
| Max Input Level | +28 dBu, ≤0.008% THD |
| CMRR | > 47 dB @ 1 kHz |
| Ground Lift | Switchable per D-Sub connector |
| AES3 Digital Inputs | |
| Connectors | 3 female 25-pin D-Sub connectors |
| Type | Electronically balanced, transformer coupled RF filtered |
| Impedance | 110 Ω |
| Sample Rate Conversion | Selectable in software for AES Input C only |
| Mic Input | |
| Connector | Female XLR |
| Type | Electronically balanced, RF filtered |
| Impedance | > 1.5 kΩ, balanced |
| CMRR | > 70 dB from 20 Hz to 20 kHz |
| Phantom Power | +48 VDC |
| Gain | 30 dB fixed |
| World Clock Input | |
| Connector | BNC |
| Supported Sample Rates | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz |
| Tolerance | ±50 ppm max |
| Outputs | |
| Total Simultaneous Outputs | 24 analog outputs (analog outputs can be mirrored to assignable BLU link output channels) |
| Analog Outputs | |
| Connectors | 3 female 25-pin D-Sub connectors |
| Type | Electronically balanced, RF filtered |
| Impedance | 60 Ω balanced, 30 Ω unbalanced |
| Max Output Level | +24 dBu, balanced, ≤ .006% THD |
| A/D Performance | |
| A/D Converter | 24-bit |
| A/D Dynamic Range | 114 dB A-weighted |
| D/A Performance | |
| D/A Converter | 24-bit |
| D/A Dynamic Range | 115 dB A-weighted |
| BLU Link Audio | |
| Connectors | 2 x RJ45 connectors |
| Maximum Nodes | 60 |
| Maximum Cable Length | 100m/328ft on Category 5e or higher cable between devices |
| Latency | 11/Fs [0.23ms@48k, 0.11ms@96k] |
| Pass Through Latency | 4/Fs [0.08ms@48k, 0.04ms@96k] |
| Signal Processing | |
| User EQ | 8-band fully parametric EQ w/ selectable filter type for each band |
| Room EQ | 12-band fully parametric EQ w/ selectable filter type for each band |
| Bi-Amp Crossover | No speaker tuning selected: No Crossover is applied With speaker tuning selected: Varies to optimize speaker for tuning selection |
| LFE Low-Pass Filter | Variable, 16 Hz – 20 kHz |
| Bass Management Crossover | Variable, 16 Hz – 20 kHz |
| Speaker Output Delay | Up to 170 ms (applied per output channel for speaker time-of-arrival offset) |
| Lip Synchronization Delay | Up to 170 ms (globally applied to all output channels except aux outputs) |
| Aux Out Lip Synchronization Delay | Up to 170 ms (applied to aux output channels only) |
| Master Volume Control | -120 dB to 0 dB |
| Dim Control | -120 dB to 0 dB |
| System Performance | |
| Internal Processing Wordlength | 32-bit floating point |
| Supported Sample Rates | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz (32-192 kHz using sample rate conversion) |
| Dynamic Range | 114 dB A-weighted 112 dB unweighted 20Hz – 22kHz |
| THD+Noise | 0.007% typical at +4 dBu, 1 kHz, 0 dB input gain |
| Frequency Response | 20 Hz – 20 kHz, +0 /- 0.5 dB |
| Interchannel Crosstalk | < -70 dB |
| Latency | Analog input to analog output: 2.57 ms (48 kHz), 2.28 ms (96 kHz) AES input to analog output: 2.31 ms (48 kHz), 2.15 ms (96 kHz) BLU link input to analog output: 0.08ms (48 kHz), 0.04ms (96 kHz) BLU link input to BLU link output: 0.08ms (48 kHz), 0.04ms (96 kHz) |
| Operating Temperature Range | 0º to 40º C (32º to 104º F) |
| Power Supply | |
| Type | Universal switch-mode |
| Operating Voltage | 100-240 VAC, 50/60 Hz |
| Power Consumption | 85 Watts |
| Recommended Audio Breakout Cables | |
| DB25 Analog Input Hosa Technology® | DTF-803 |
| DB25 Analog Output Hosa Technology® | DTM-803 |
| DB25 AES Input Digidesign® | DigiSnake Cable (note that only AES input connections are used) (DB25 – XLR MtF AES/EBU snake, DB25 to 4 XLRM (output) and 4 XLRF (input), Model # MH097; P/N DB-XMtF-4-ROHS) |
| Physical | |
| Rack Height | 2U |
| Dimensions (H x W x D) | 3.5” (88.9 mm) x 19.0” (482.6 mm) x 13.75” (349.25 mm) |
| Weight | 14.30 lbs (6.49 kg) |
| Shipping Weight | 19.04 lbs (8.64 kg) |