Microphones

The Neumann TLM 103 is the new standard for home recording and the music industry. It's the mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound.

The Blue Microphones Mouse hand-tuned capsule is specifically designed to capture the thundering lows of bass and baritone vocals and low-end instrument sources. Enclosed within a rotating spherical grille, the capsule can also be positioned and adjusted into the smallest of spaces for applications where versatility is paramount.

The AKG C414 XLII version differs from the C414 XLS version in one major respect the capsule.

The AKG C414 XLS is the most versatile microphone for vocals and instruments in studio and on stage.

The Sennheiser MKH 8020 Omnidirectional Instrument Microphone is ideal for recording large and small sound sources, for a “Decca Tree” or for use in an OSS “Jecklin Disk” array. As it does not suffer from a proximity effect, it is also a good choice for close-miking.

The Sennheiser MKH 8040 Versatile Cardioid Microphone is suitable for almost any application. It considerably reduces pick-up of a reverberant room. This is very helpful in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.

The Sennheiser MKH 8050 Supercardioid Instrument Microphone will give higher attenuation of off-axis sound from the side than its cardioid sister model. It is a good choice for recording soloists, where the requirements for lateral acoustic separation are higher.

The Audix AP42 VX5 is a highly detailed handheld diversity wireless system featuring the Audix VX5, a multi-purpose, professional vocal condenser microphone designed for live, studio and broadcast applications.

The Audix AP62 OM2 is a professional true diversity handheld wireless system featuring the Audix OM2, a vocal microphone ideally optimized for small to mid-size PA systems, and known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion.

The Neumann SKM183 set features two omnidirectional KM183 miniature condenser microphones geared for serious production and home recording studios. For more distant miking it offers a smooth increase in high-end response, ensuring a crisp sound.

The Audix AP62 OM5 is a professional true diversity handheld wireless system featuring the Audix OM5. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.

The Blue Microphones Kiwi is a flagship multi-pattern FET microphone that defines the pinnacle of modern vocal and instrument recording. Born from a legacy of inimitable design and innovation, Kiwi delivers a world-class vocal sound to inspire once-in-a-lifetime performances. Nine selectable polar patterns provide unlimited creative freedom for any recording session.

The AKG Drum Set Premium reference drum microphone set is a hand-selected collection of the highest-quality microphones for touring, live and studio applications.

The Earthworks SV33 is Earthworks flagship studio vocal microphone featuring a 14mm capsule that delivers warmth coupled with staggeringly precise audio performance. A true cardioid polar pattern provides freedom and ease for every recording session with an enormous sweet spot and incredible rear rejection, maintaining complete sonic accuracy for vocal performances.

The C414 XLII reference multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application.

The Earthworks PM40 PianoMic System was designed to revolutionize piano miking and achieve an incredible improvement in piano sound for live and recording applications with no mic stands or booms.

The Sennheiser MKH 800 TWIN Universal Studio Condenser Microphone includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a “side fire” microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone.