Mackie ProFX8v2 8 Channel Professional Effects Mixer with USB (Discontinued)
Usually arrives in 5-9 business days.
The Mackie ProFX8 has been replaced with the Mackie ProFX8v2. The ProFX8 offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There's even USB I/O for recording the set.
The Mackie ProFX8 has been replaced with the Mackie ProFX8v2.
The ProFX8 is fully stocked, featuring four Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated effects, precision 7-band GEQ and more. All of these great features are housed in a rugged enclosure, in true Mackie “Built-Like-A-Tank” tradition. The ProFX8 has the right set of great-sounding tools to make your gig sound better and run smoother.
Live Sound Toolbox
Your job is to make things sound good. Maybe you’re a solo performer playing covers at a Vegas hotel bar. Perhaps you have the honor of being the “engineer” of your band and not only do you play bass, you’re also in control of the mix. No matter what the situation is, you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. The ProFX8 comes with all these features—it is truly the perfect live sound toolbox.
“Gig-Ready” RMFX™ Effects
The RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability.
| Mic in to Insert Send out, max gain | –127 dBu |
|---|---|
| All outputs, master levels off, all channel levels off | –95 dBu |
| All outputs, master levels unity, all channel levels off | –90 dBu |
| All outputs, master levels unity, one channel level unity | –85 dBu |
| 20 Hz to 30 kHz | +0 dB / –1 dB |
| Mic in to Main out | |
| Channel Mute switch engaged | –90 dBu |
| Channel Fader down | –90 dBu |
| 1 kHz | 60 dB gain |
| All inputs | +22 dBu |
| Main Mix XLR | +28 dBu |
| All other outputs | +22 dBu |
| Mic In | 3 k Ohms |
| Channel Insert Return | 10 k Ohms |
| Ch 1 Instrument input | 1 M Ohms |
| All other inputs | 20 k Ohms |
| Tape output | 1.1 k Ohms |
| Phones output | 25 Ohms |
| All other outputs | 120 Ohms |
| High Shelving | ±15 dB @ 12 kHz |
| Mid Peaking | ±15 dB @ 2.5 kHz |
| Low Shelving | ±15 dB @ 80 Hz |
| Low Cut Filter | 100 Hz, –18 dB/octave |
| I/O | Mono Input / Stereo Output |
| Number of Presets | 16 |
| Channel Level Set LED | 0 dBu (normal operating level) |
| Channel OL LED | –1 dB before channel clipping measured post-EQ, pre-fader |
| Main L/R Mix Two columns of 12 segments each | OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), –2, –4, –7, –10, –20, –30 |
| Frequency Centers | 125, 250, 500, 1k, 2k, 4k, 8k |
| Gain | ±15 dB |
| Format | USB 1.1 |
| I/O | Stereo Input / Stereo Output |
| A/D/A | 16 Bit, 44.1 kHz / 48 kHz |
| Phantom Power | 48 VDC to all Mic channels at once |
| Voltage Range | 100 - 240 VAC, 50 - 60 Hz |
| Power Consumption | 20 watts |
| Power Connector | 3 Pin IEC |
| Dimensions | 11.41 in / 290 mm x 14.05 in / 357 mm x 3.58 in / 91 mm |
| Dimensions (packaged product) | 15.5 in / 394 mm x 7.0 in / 178 mm x 17.5 in / 445 mm |
| Net Weight | 7.1 lbs (3.2 kg) |
| Shipping Weight | 9.5 lbs (4.3 kg) |
Model #:
Usually arrives in 5-9 business days.