Yamaha 02R96VCM Digital Mixing Console (Discontinued)

By Yamaha

Yamaha 02R96VCM Digital Mixing Console (Discontinued)

Name: Yamaha 02R96VCM Digital Mixing Console (Discontinued)
Brand: Yamaha
SKU: YAMAHA-02R96VCM
Price: 9999.99 USD
Availability: OutOfStock

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Part #:

02R96VCM

Model #:

02R96VCM

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Availability: No Longer Available

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The Yamaha 02R96VCM digital mixer is the new revolution in a line of trusted digital consoles created to support you in the production workplace.

Description

The 02R96VCM is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors.

The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb. In short, one of the world's most popular digital production consoles just got a lot more powerful. VCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the 02R96VCM.

VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry - right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

iSSP technology is the key to the 02R96VCM's incredible selection of surround post-production effects. iSSP stands for "Interactive Spatial Sound Processing," and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.

Features

Precise 24-bit/96-kHz audio and high-performance head amps
Generous mixing capacity with up to 56 simultaneous inputs and 18 mix buses
Powerful channel functions with flexible control and digital patching
Four advanced multi-effect processors include surround effects
Scene memory and auto-mix functions for efficient workflow
Versatile channel pairing and grouping functions enhance mixing efficiency
Comprehensive interface with 25 touch-sensitive 100-mm motor faders
16 microphone/line inputs with balanced XLR/TRS jacks that feature top-performance head amplifiers for outstanding audio quality
Four mini-YGDAI expansion slots for easy I/O expansion in a variety of formats
Compatible with both Windows or Macintosh versions of Studio Manager version2 Software, allowing your PC and Console to work together seamlessly
A new dimension of production power with the addition of Yamaha VCM effects and processing
Included in the THX pm3™ Studio Certification Program Approved Equipment List

Specifications

Input	INPUT A/B 1–16, INPUT 17–24, INSERT IN 1–16, 2TR IN ANALOG 1 [L, R], 2TR IN ANALOG 2 [L, R]
PAD	INPUT A/B 1–16: 0, 26
GAIN (INPUT A/B 1–16)	–60dB , –16dB
Actual Load Impedance (INPUT A/B 1–16)	3k Ω
For Use With Nominal (INPUT A/B 1–16)	50–600 Ω Mics & 600 Ω Lines
GAIN (INPUT 17–24)	–34dB, +10dB
Actual Load Impedance (INPUT 17–24)	4K Ω
For Use With Nominal (INPUT 17–24)	600 Ω Lines
Actual Load Impedance (INSERT IN 1–16)	10K Ω
For Use With Nominal (INSERT IN 1–16)	600 Ω Lines
Actual Load Impedance	10K Ω
For Use With Nominal	600 Ω Lines
Sensitivity1 (INPUT A/B 1–16)	1 –70 dB (0.245 mV), –26 dB(38.8 mV), 0 dB(775 mV)
Nominal (INPUT A/B 1–16)	–60 dB (0.775 mV), –16 dB (0.123 V), +10 dB(2.45 V)
Max. before clip (INPUT A/B 1–16)	–46 dB (3.88 mV), –2 dB (616 mV), +24 dB (12.28 V)
Connector (INPUT A/B 1–16)	A: XLR-3-31 type (Balanced) 2B: Phone jack (TRS)(Balanced)
Sensitivity1 (INPUT 17–24)	–44 dB (4.89 mV), 0 dB (775 mV)
Nominal, Max.before clip (INPUT 17–24)	–34 dB (15.5 mV), +10 dB (2.45 V), –20 dB (77.5 mV), +24 dB (12.28 V)
Connector (INPUT 17–24)	Phone jack (TRS) (Bal-anced)
Input level (INSERT IN 1–16)	Sensitivity: –6 dB (388 mV) Nominal: +4 dB (1.23 V) Max.before clip: +18 dB (6.16 V)
2TR IN ANALOG 1 [L, R], 2TR IN ANALOG 2 [L, R]	Sensitivity1/Nominal: +4 dB (1.23V), –10 dBV (0.316V)Max.before clip: +18 dB (6.16V), +4dBV (1.58)
Connector 2TR IN ANALOG 1 [L, R], 2TR IN ANALOG 2 [L, R]	Phone jack (TRS) (Balanced), Phono (Unbalanced)
Output Stereo Out [L, R]	Actual Source Imp: 600 Ω, 150 Ω For Use With Nominal: 10k Ω Lines, 600 Ω Lines
Studio Monitor Out [L, R]	Actual Source Imp: 150 Ω For Use With Nominal: 10k Ω Lines
C-R Monitor Out [L, R]	Actual Source Imp: 150 Ω For Use With Nominal: 10k Ω Lines
Omni Out 1–8	Actual Source Imp: 150 Ω For Use With Nominal: 10k Ω Lines GAIN SW1: +18 dB, +4 dB
Insert Out 1–16	Actual Source Imp: 150 Ω For Use With Nominal: 10k Ω Lines
Phones	8 Ω Phones, 40 Ω Phones
Stereo Out [L, R]	Nominal: –10 dBV (0.316 V), +4 dB (1.23 V) Max. before clip: +4 dBV (1.58 V), +18 dB (6.16 V)
Studio Monitor Out [L, R]	Nominal: +4 dB (1.23 V) Max. before clip: +18 dB (6.16 V)
C-R Monitor Out [L, R]	Nominal: +4 dB (1.23 V) Max. before clip: +18 dB (6.16 V)
Omni Out 1–8	Nominal: +4 dB (1.23 V), –10 dB (0.245 V) Max. before clip: +18 dB (6.16 V), +4 dB (1.23 V)
Insert Out 1–16	Nominal: +4 dB (1.23 V) Max. before clip: +18 dB (6.16 V)
Phones	Nominal: 4 mW 25 mWMax. before clip: 12 mW 75 mW
Connector	XLR-3-32 type connector
Input	2TR IN DIGITAL 1, 2, 3 CASCADE IN
Format 1,2,3	AES/EBU, IEC-60958, IEC-60958
Data length	24-bit
Level	RS422, 0.5 Vpp/75 Ω
Output	2TR OUT DIGITAL (1,2,3) CASCADE OUT
Format 1,2,3	AES/EBU1 Professional use IEC-609584 Consumer use IEC-609584 Consumer use
Data length	24-bit2
Level	RS4220.5V pp/75 Ω
Number of scene memories	99
Sampling Frequency	Internal: 44.1kHz, 48kHz, 88.2kHz, 96kHz
Sampling Frequency	External: Normal rate 44.1kHz-10% - 48kHz+6%Double rate 88.2kHz-10% - 96kHz+6%
Signal Delay	Fs=48kHz = 1.9ms Fs=96kHz = 0.7ms
Fader	100mm motorized with touch sense x 25
Fader Resolution Master faders, Stereo fader	+10--96,8-dB (256 steps/100mm ) 0--130,8-db (256 steps/100mm)
Total Harmonic Distortion	=0.05% 20Hz to 20(40)kHz @+14dB into 600Ω=0.01% 1kHz @+18dB into 600Ω
Frequency Response	0.5,-1.5dB 20Hz - 20kHz @+4dB into 600Ω 0.5,-1.5dB 20Hz - 40kHz @+4dB into 600Ω
Dynamic Range	110dB typ., Fs=48 or 96kHz105dB typ., Fs=48 or 96kHz
Hum & Noise (20Hz-20kHz)	128dB (EIN : Equivalent Input Noise) 92dB (Residual Output Noise) @ STEREO OUT STEREO OUT off
Maximum Voltage Gain 74 [48]dB	CH INPUT1-16 [17-24] to STEREO OUT/OMNI (BUS) OUTOMNI OUT (via pre input fader) CONTROL MONITOR OUT
Power Requirements	120 V 200W 60Hz
Operating free-airtemperature range	10-35C
Storage temperature range	-20-60C
Accessories	AC Cable CD-ROM (Studio manager)
Options	Digital audio interface card (MY8,MY4 series) PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02R96
Dimensions (H x W x D)	9.44" (239 mm) x 26.25" (667 mm) x 27.44" (697 mm)
Weight	75 lbs (34 kg)