Mackie DL1608 16-Channel Digital Mixer with iPad Control (Discontinued)
Usually arrives in 5-9 business days.
The Mackie Onyx 1640i 16 Channel FireWire Recording Mixer is compact, rack mountable and features our renowned flexible RotoPod design, allowing the mixer to be housed in any configuration – from custom studio furniture, live sound installs or even post production machine rooms.
Despite its large channel count, the 1640i is compact, rack mountable and features our renowned flexible RotoPod™ design, allowing the mixer to be housed in any configuration – from custom studio furniture, live sound installs or even post production machine rooms. The 1640i’s full-featured 16x16 FireWire capability allows the user to route all channels, aux sends, sub groups and master L/R to their favorite DAW. However, the true power of the 1640i lies in its ability bring back the full 16 channels of FireWire output from your computer directly into the channel strips – for a true tape style mix down.
The Onyx 1640i is the flagship mixer of the series, boasting a full 16x16 FireWire interface, allowing for something that a DAW could never do alone: A true tape-style mixdown. If you are doing a real analog mixdown, you will surely benefit from the premium features that the 1640i provides. Send all channels simultaneously to your DAW, get them recorded and apply your plug-ins. Once you have everything edited and ready, you can simply route up to 16 streams straight back into the 1640i’s channel strips. You can choose to apply some of that lovely Perkins EQ if you wish. All of these signals hit our premium, high-headroom custom summing bus. It combines the best of both the digital and analog realm to create seamless workflow that makes your sessions faster, easier and better sounding than ever possible before.
When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer. The 1640i has a plethora of analog features that are sure to please. Sixteen full-featured channels each feature Onyx mic preamps, with a reputation as some of the best boutique quality preamps available today.
| Equivalent Input Noise (EIN), mic input at insert. 150 Q sourceimpedance. 20 to 20 kHz | 60 dB (max) gain: -129 dBu40 dB gain: -128 dBu |
|---|---|
| Main Mix knob down, channel Level knobs down | -100 dBu (-104 dB SNR.ref +4dBu) |
| Main Mix knob unity, channel Level knobs down | -93 dBu (-97 dB SNR,ref +4 dBu) |
| Main Mix knob unity, channel Level knobs unity | -91 dBu (-95 dB SNR,ref +4 dBu) |
| All sample rates | -103 dB |
| Mic input to main output (all gain stages at unity) | +0,-1 dB, |
| Channel line input to any output (all gain stages unity) | +0/-1 dB, 20 Hz to 20k |
| 44.1 kHz sample rate (+/–0.5 dB) | 20 Hz to 20k-3 dB at 21 kHz |
| 96 kHz sample rate (+/–0.5 dB) | 20Hzto20k-3 dB at 45 kHz |
| Mic input at insert (+4 dBu in. 0 dB gain. +4 dBu out) | 0.005% |
| Mic input at insert(-10 dBu in. +20 dB gain. 20 Hz to 20 kHz bandwidth) | 0.0007% |
| Stereo channel line input to any output(+4 dBu in. all gain stages at unity +4 dBu out) | 0.005% |
| 44.1 kHz sample rate | 0.02%, (10 Hz to 20 kHz) |
| 96 kHz sample rate | 0.02%, (10 Hz to 10 kHz)0.05%, (10 kHz to 47 kHz) |
| Mic input | 2.7 kΩ balanced |
| Hi-Z input | 1 MΩ unbalanced |
| Mono channel line input | 30 kΩ balanced15 kΩ unbalanced |
| Stereo aux returns | 20 kΩ balanced10 kΩ unbalanced |
| Tape in | 20 kΩ unbalanced |
| Main XLR output | 150 Ω balanced |
| Phones output | 25 Ω |
| Channel Inserts | 150 Ω |
| Tape Output | 2kΩ |
| All other outputs | 300 Ω (balanced) |
| Attenuation and Crosstalk @lkHz | Main Mix knob down: -80 dBuChannel Alt/Mute switch engaged: -96 dBuChannel Level knob down:-96 d |
| Common Mode Rejection Ratio (CMRR) | Mic input to insert, max gain. 1 kHz: >70 dB |
| Mic input, gain at unity (0 dB) | +21 dBu |
| Mic input, gain at max (60 dB) | -38 dBu |
| Line input, gain at -20 dB | +30 dBu |
| Instrument input, gain at -20 dB | +21 dBu |
| Tape input | +21 dBu |
| Aux return | +21 dBu |
| Maximum Output Levels | All outputs: +21 dBu |
| LOW | ±15 dB at 80 Hz |
| Lo-Mid frequency | 100 Hz to 2 kHz |
| Lo-Mid gain | ±15 dB |
| Hi-Mid frequency | 400 Hz to 8 kHz |
| Hi-Mid gain | ±15 dB |
| High | ±15 dB at 12 kHz |
| Sample Rates Available | 44.1 kHz, 48 kHz.88.2 kHz. 96 kHz |
| Buffer Size | 32 (44.1 kHz and 48 kHz only). 64.128.256.512.1024. 2048 samples |
| Resolution | 24-bit |
| 4-segment pre-fader channel meters | OL (+18dBu).+10.0. -20 dBu |
| 12-segment pre-fader Control Room meters | OL (+20 dBu).+15.+10.+6.+3. 0.-2.-4.-7.-10.-20. -30 (0 dB = 0 dBu) |
| Power Consumption | 80 watts |
| Universal AC Power Supply | 100 VAC -240 VAC.50-60 Hz |
| Operating Temperature | 0˚ – 40˚C32˚ – 104˚F |
| Dimensions | 17.5" (445 mm) x 7.6" (193 mm) x 26.2" (667 mm) |
| Dimensions (packaged product) | 24.0" (610 mm) x 12.0" (305 mm) x 31.0" (787 mm) |
| Net Weight | 35.0 lbs (5.9 kg) |
| Shipping Weight | 42.3 lbs (19.2 kg) |
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.