Yamaha M7CL-32 Digital Mixing Console (Discontinued)
Usually arrives in 5-9 business days.
The Yamaha M7CL-48ES is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles.
It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
Where the original M7CL-48 has 48 analog inputs, the M7CL-48ES has a total of three EtherSound ports: two for connection to as many as three Yamaha SB168-ES EtherSound stage boxes in either daisy chain or ring configuration. The 3rd port allows permanent connection to a computer while the stage boxes are connected in ring mode.
To set up a basic daisy-chain system all you need to do is connect the M7CL-48ES to the SB168-ES stage boxes via appropriate cables and turn on the power. The ESMonitor software is not required. Everything is configured automatically, and you don't even have to set or worry about the order of the ID numbers of the SB168-ES units used. Switch a few settings and setting up a ring network is just as easy.
Although the 48 analog inputs are replaced by EtherSound ports, the M7CL-48ES retains eight OMNI inputs and eight OMNI outputs that can be used for direct analog connection. These provide an ideal way to insert outboard processors and other equipment.
The M7CL-48ES is compatible with backup data created by the M7CL-32 and M7CL-48 consoles, so time and effort you've spent creating finely-tuned setups for the M7CL-32 or M7CL-48 won't be wasted.
| Input Terminals : OMNI IN 1-8 | GAIN : +10 dB |
|---|---|
| Input Terminals : TALKBACK | GAIN : –60 dB, –16 dB |
| Input Terminals : OMNI IN 1-8 | Actual Load Impedance : 3 kΩ |
| Input Terminals : TALKBACK | Actual Load Impedance : 3 kΩ |
| Input Terminals : OMNI IN 1-8 | For Use With Nominal : 50-600Ω Mics & 600Ω Lines |
| Input Terminals : TALKBACK | For Use With Nominal : 50-600Ω Mics & 600Ω Lines |
| Input Level : OMNI IN 1-8 | Sensitivity 1 : –10dBu (245 μV) |
| Input Level : TALKBACK | Sensitivity 1 : –70dBu (0.245 μV), –26dBu (38.8 μV) |
| Input Level : OMNI IN 1-8 | Nominal : +10dBu (2.45 μV) |
| Input Level : TALKBACK | Nominal : –60dBu (0.775μV), –16dBu (0.123 μV) |
| Input Level : OMNI IN 1-8 | Connector : XLR-3-31 type (Balanced) |
| Input Level : TALKBACK | Connector : XLR-3-31 type (Balanced) |
| Output Terminals : OMNI OUT 1-8 | Actual Source Impedance : 75 kΩ |
| Output Terminals : PHONES | Actual Source Impedance : 15 kΩ |
| Output Terminals : OMNI OUT 1-8 | For Use With Nominal : 600 Ω Lines |
| Output Terminals : PHONES | For Use With Nominal : 8 Ω Phones, 40 Ω Phones |
| Output Terminals : OMNI OUT 1-8 | GAIN SW 3 : +18 dB |
| Output Level : OMNI OUT 1-8 | Nominal : –2 dBu (616 mV) |
| Output Level : PHONES | Nominal : 75 mW 4, 65 mW |
| Output Level : OMNI OUT 1-8 | Max. Before Clip : +18 dBu (6.16 V) |
| Output Level : PHONES | Max. Before Clip : 150 mW, 150 mW |
| Connector | XLR-3-32 type (Balanced) 1, Stereo Phone Jack (TRS)(Unbalanced) |
| Terminal : NETWORK | Format : IEEE802.3 |
| Terminal : 3rd Port | Format : IEEE802.3 |
| Terminal : MIDI (IN, OUT) | Format : MIDI |
| Terminal : USB HOST | Format : USB 1.1 |
| Terminal : WORD CLOCK | Level : TTL/75 Ω, TTL/75 Ω |
| Terminal : LAMP 1(32ch), 2(48ch) | Level : 0 V – 12 V |
| Terminal : NETWORK | Connector : RJ-45 |
| Terminal : MIDI (IN, OUT) | Connector : DIN Connector 5P |
| Terminal : WORD CLOCK (IN, OUT) | Connector : BNC Connector |
| Terminal : LAMP 1(32ch), 2(48ch) | Connector : XLR-4-31 type 1 |
| Terminal : USB HOST | Connector : A type USB Connector |
| Sampling Frequency | Internal: 44.1 kHz, 48 kHz |
| Sampling Frequency | External:44.1 kHz (–10%) to 48 kHz (+6%) 44.1 kHz (–2.5%) to 48 kHz (+2.5%) |
| Signal Delay | Less than 2.5 ms INPUT or OMNI IN to OMNI OUT (@ Fs = 48 kHz) |
| Fader | 100mm motorized x62 (46) |
| Fader Resolution | +10 to –138, –dB (1024 steps/100 mm) |
| Maximum Voltage Gain | 86 dB OMNI IN 1-8 to OMNI OUT 1-8 |
| Crosstalk (@1kHz) | -100dB, -80dB Adjacent input Channels, -100dB, -80dB Input to output |
| Power Requirements (wattage) | 150 W, 100V 50/60Hz |
| Operation free-air Temperature Range | +10 °C to +35 °C |
| StorageTemperature Range | –20 °C to +60 °C |
| Included Accessories | Owner’s Manual, Dust cover, Power cord, Cord clamp |
| Optional Accessories | Meter Bridge MBM7CL, Mini-YGDAI cards, Gooseneck Lamp LA1L |
| Optional Accessories | Power Supply PW800W, Power Supply Link Cable PSL360 |
| Dimensions (H x W x D) | 11.25" (286 mm) x 50.19" (1274 mm) x 27.63" (701 mm) |
| Net Weight | 101.41 lbs (46 kg) |
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.
Model #:
Usually arrives in 5-9 business days.