Mackie Onyx 32.4 32 Channel 4 Bus Live Mixing Console

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Mackie Onyx 32.4 32 Channel 4 Bus Live Mixing Console (Discontinued)

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Building on the success of our legendary SR32•4 mixing console, Mackie is proud to introduce the new Onyx 32.4 32-channel / 4-bus live sound console. While retaining the same convenient footprint as its predecessor, the state-of-the-art Onyx 32.4 brings dozens of new features and enhancements to the table: 100mm Panasonic® faders, premium Onyx mic preamps, completely redesigned analog circuitry with more headroom, greater routing flexibility, new Perkins EQ, and a built-in assignable stereo compressor/limiter.

And we're barely scratching the surface. The Mackie Onyx 32.4 leaves the competition in the dust when it comes to sound quality. The difference starts with premium Onyx mic preamps on every channel, which offer greater dynamic range and transparency versus any other mixer mic preamp on the market. Newly designed 4-band Perkins EQ offers the sweet, musical sound of the legendary British consoles of yesteryear, yet with greater filter control. the 32.4 is not the first mid-format console to offer an onboard compressor/limiter, we specified a THAT® Corporation 4301 assignable stereo compressor/limiter, and then had it custom tailored specifically for the Onyx 4-bus Series. Onyx 32.4 gives you big, full-range sound and even lower noise than esoteric mixing consoles costing much more.

Onyx mic preamps offer even greater fidelity, headroom and transparency—as well as better radio frequency (RFI) rejection and wider dynamic range than ever before. Compression is an indispensable tool in a sound engineer's arsenal. That's why we integrated a high-quality master compressor/limiter chip from THAT® Corporation into the Onyx 32.4. This assignable compressor/limiter is perfect for tightening up vocal harmony and balancing drum kits. Controls are provided for Threshold, Ratio and Fast/Slow Attack.

Features

Features

32-channel / 4-bus premium analog mixer designed for live sound
Onyx microphone preamps with class-leading fidelity and dynamic range on every channel
4-band Perkins EQ on every channel for warm, musical sound
6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc
Built-in assignable stereo compressor/limiter designed by THAT® corporation
Giant 12-segment LED ladders for Main output and compressor/limiter
6 Aux sends with Pre/Post switches
2 dedicated stereo channels
100mm Panasonic™ faders on all channels, Groups and Mains
Same physical size as the popular SR32•4 mixing console

Specification

Frequency Response	+0, –1 dB, <10 Hz to 80 kHz, +0, –3 dB, <10 Hz to 120 kHz
Distortion (THD & IMD)
THD	< 0.007% 20 Hz to 20 kHz 0.003% @ 1kHz typical
SMPTE IMD	< 0.005% (7 kHz/60 Hz, 4:1)
Dynamic Range	>115 dB, Mic In to Main Out
Noise Floor
Signal-to-Noise Ratio	–87 dBu (ref. +4 dBu, Mic In to Main Out, 32 channels and Main Mix levels at unity)
Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz Bandwidth, 150Ω source impedance	–129.5 dBu @ +60 dB gain
Mic Output Noise (Direct Output)	–100 dBu (minimum gain)
Residual Output Noise
Main Out	–100 dBu (Channel and Main Mix levels off)
Main Out	–85 dBu (24 channels and Main Mix levels at unity)
Common Mode Rejection Ratio (CMRR)	>70 dB @ 1 kHz, Gain @ maximum
Crosstalk
Adjacent Inputs	< –95 dB @ 1 kHz
Input to Output	< –85 dB @ 1 kHz
Phantom Power	+48 VDC
Equalization
*Mono Channel EQ*
High	±15 dB @ 12 kHz
High Mid	±15 dB, sweepable from 400 Hz to 8 kHz
Low Mid	±15 dB, sweepable from 100 Hz to 2 kHz
Low	±15 dB @ 80 Hz
*Stereo Channel (Aux Input) EQ*
High	±15 dB @ 12 kHz
High Mid	±15 dB @ 2.5 kHz
Low Mid	±15 dB @ 400 Hz
Low	±15 dB @ 80 Hz
*Mixer Rated Output*
Main Outs	+4 dBu
Aux Send	+4 dBu
Group Send	+4 dBu
Matrix Out	+4 dBu
Maximum Rated Output	+21 dBu @ Main XLR and TRS outputs
*Maximum Input Levels*
Mic Input	+21 dBu, Gain @ unity, pad out
Mic Input	+30 dBu, Gain @ unity, pad in
Line Input	+21 dBu, Gain @ –20 dB
Tape Input	+30 dBu
Stereo Return	+21 dBu
Maximum Voltage Gain
*Mic Input to:*
Main Out	90 dB
Group Out	80 dB
Aux Sends	86 dB
Monitor Out	103 dB
Matrix Out	105 dB
Phones Out	103 dB
*Line Input to:*
Main Out	70 dB
Group Out	60 dB
Aux Sends	66 dB
Monitor Out	83 dB
Matrix Out	85 dB
Phones Out	83 dB
*Stereo Return to:*
Main Out	53 dB
Group Out	43 dB
Aux Sends	49 dB
Monitor Out	66 dB
Matrix Out	68 dB
Channel Level LED (Sensitivity)	0 LED = 0dBu (normal operating level)
VU Meters
Main Left and Right, Compressor Input, 12 segments	Clip (+20), +15, +10, +6, +3, 0, -2, -4, -7, -10, -20, -30 0 LED = 0dBu
Compressor Gain Reduction, 12 segments	1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 15 dB
Dimensions (H x W x D)	39.8" (1011 mm) x 39.8" (1011 mm) x 21.9" (555 mm)
Weight	48.0 lb (21.8 kg)

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Mackie Onyx 32.4 32 Channel 4 Bus Live Mixing Console (Discontinued)

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