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Mackie ProFX4v2 4 Channel Professional Effects Mixer (Discontinued)

Part #:
2044600-00
Model #:
ProFX4v2
Availability: No Longer Available
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Mackie’s ProFX4v2 4-channel mixer features all-new Vita™ preamps for unmatched sound quality and a no-compromise live mixing toolkit including the all-new, immensely powerful ReadyFX™ effects engine.

Description

The Mackie ProFX4v2 4-channel effects mixer provides a comprehensive live sound solution for singer/songwriters and other low channel count applications. Delivering unmatched sound quality, the ProFX4v2 features all-new Mackie Vita™ preamps, which are virtually noiseless and designed specifically for the highly-dynamic world of live sound. ProFX4v2 also includes the immensely powerful new ReadyFX™ effects engine, harnessing floating-point DSP to deliver 16 rich effects that elevate any performance. A no-compromise live sound toolkit includes a room-shaping GEQ and flexible I/O for professional applications. With a rugged steel chassis and unmatched sonic performance, ProFX4v2 is truly the life of your live mix.

Features

  • 2 extremely low-noise Mackie Vita™ mic preamps designed to add life to any input
  • All-new ReadyFX™ effects engine with 16 great-sounding effects like reverbs, delays and choruses
  • 5-band graphic EQ for tuning mains or monitors
  • Aux output perfect for driving a monitor mix
  • 2-band EQ (80Hz and 12kHz) on all channels
  • Directly connect guitar, bass and other instruments via Hi-Z input
  • 100Hz low-cut filter and 48V phantom power on all mic channels
  • Stereo RCA tape I/O with input level control
  • Headphone output with separate level control
  • Legendary Mackie “Built-Like-A-Tank” design
  • Solid steel chassis protects your investment
  • Tough ABS side protection

 

Specifications

Noise Characteristics
Mic In to FX Send (Max Gain) –128 dBu
Residual Output Noise ≤ 30 kHz All outputs, master levels off, all channel levels off: –95 dBu
All outputs, master levels unity, one channel level unity: –85 dBu
Frequency Response
Mic Input to Any Output 20 Hz to 40 kHz (gain at unity, +0 dB / –1 dB)
Distortion (THD+N)
Mic In to Main Out (+4 dBu Output)
Attenuation and Crosstalk
Adjacent Inputs @ 1 kHz –80 dB
Inputs to Outputs @ 1 kHz –80 dB
Fader Off @ 1 kHz –80 dB
Common Mode Rejection Ratio (CMRR)
Mic In to Main Out 70 dB (max gain, 1 kHz)
Maximum Levels
All Inputs +22 dBu
1/4 +22 dBu
All Other Outputs +22 dBu
Impedances
Mic In 3.8 k Ω
All Other Inputs ≥ 20 k Ω
Tape Out 1 k Ω
Phones Out 25 Ω
All Other Outputs 120 Ω Unbalanced
240 Ω Balanced
Equalization
Low ±15 dB @ 80 Hz
High ±15 dB @ 12 kHz
Low Cut Filter 18 dB/octave @ 100 Hz
Maximum Voltage Gain (EQ Flat) ±15 dB @ 2.5 kHz
Mic Input Channel To Insert Output: 50 dB
Tape Output: 60 dB
1/4" Main Output: 70 dB
Monitor Send: 76 dB
FX Send: 75 dB
Mono Line Input Channel To Tape Output: 40 dB
Monitor Send: 56 dB
FX Send: 55 dB
Stereo Line Input Channel To Tape Output: 30 dB
Monitor Send: 46 dB
FX Send: 45 dB
Tape Input To Main Output: 30 dB
USB Input To Main Output: 30 dB16
Digital Effects
I/O Mono Input, Stereo Output
Number of Presets 16
Graphic EQ
Frequency Centers 80, 250, 800, 2.5k, 8k
Gain ±15 dB
Phantom Power 48 VDC to all Mic channels simultaneously
Power Requirements Class I Hard-Wired Wall Wart 12VDC @ 1.5A
Dimensions (H x W x D) 2.9" (73 mm) x 8.7" (220 mm) x 10.1" (256 mm)
Weight 3.2 lbs (1.4 kg)

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